Recording ban limits early bebop documentationJul 31, 1942Labels: American Federation, Recording BanAFM banJazz88 article
Onyx Club becomes a modern-jazz footholdNov 1, 1943Labels: Onyx Club, Dizzy GillespieJazz88 articleOnyx Club
Famous Door relocates, keeping 52nd Street centralNov 1, 1943Labels: Famous Door, West 52ndFamous Door52nd Street
Monk copyrights “Nameless,” later “52nd Street Theme”Apr 1, 1944Labels: Thelonious Monk, 52nd StreetMonk list52nd Street
Eckstine big band tours with bebop talentJun 1, 1944Labels: Billy Eckstine, Dizzy GillespieEckstine bandJazz88 article
Charlie Parker’s 52nd Street debut at DownbeatDec 1, 1944Labels: Charlie Parker, Downbeat ClubJazz88 articleDownbeat Club
Parker and Gillespie ignite Three Deuces engagementApr 1, 1945Labels: Charlie Parker, Dizzy GillespieJazz88 articleThree Deuces
Parker leads landmark Savoy recording sessionNov 26, 1945Labels: Charlie Parker, Savoy RecordsParker StorySavoy Records
Royal Roost competes with 52nd Street for bebopJan 1, 1946Labels: Royal Roost, BroadwayRoyal Roost52nd Street
“52nd Street Theme” is first recordedFeb 22, 1946Labels: Dizzy Gillespie, 52nd StreetMonk list52nd St Theme
Live recordings capture the Onyx Club soundJul 6, 1948Labels: Onyx Club, Live RecordingBird on 52ndOnyx Club
By 1950, the core 52nd Street club era fadesJan 1, 1950Labels: Famous Door, West 52nd52nd StreetFamous Door